Notes on the Stained Glass
by former pastor, Thomas P. Johnston
The sanctuary of the First Presbyterian Church of Dunedin, Florida, was originally built in l926, a gift of Mr. and Mrs. L. B. Skinner. The building was completely remodeled in l961, at which time a narthex was added at the Scotland Street entrance, and other changes made to provide a more comodious and beautiful church edifice. During the course of the remodeling, a group of our members requested permission to secure funds for the inclusion of stained glass windows to add beauty and dignity to the church, and also to set forth in significant symbolism the cardinal doctrines of God as proclained in the reformed faith. Permission was readily granted and a special committee was appointed to secure the funds, select the themes of windows, and supervise the entire project. The two pastors were advisory members of this committee, which selected the studios of Joseph D. Meyers Associates of Tampa, Florida as the artists and craftsmen to design and install the stained glass.
The windows installed include eight large windows in the sanctuary, a half circle inset over the Highland Avenue entrance and a medallion over the choir loft. There are also three smaller windows in the narthex.
Listed herewith are the installations of glass with a brief indication of their symbolism, and a record of the donors, and, if a memorial, the names of the persons whose memory is thus recorded.
THE EIGHT LARGE WINDOWS
(Beginning with the North-east corner, in order)
A word should be said about the general design which is carried throughout all eight windows. Within a border of rich cathedral colors there is a background of pastel diamond panes characteristic of the Byzantine type of architecture of the design of the building. Woven into
this background there is outlined a Celtic cross, chosen because the cross is the central theme of all Christian faith. These crosses are subdued in design so as not to present a series of marching symbolisms. They also
vary in color to add individuality to each window. In the Celtic cross, a circle is found where the horizontal beam crosses the upright and it is within these circles that the symbolic representations are placed. These are all different and add distinction and individuality to each window. In the smaller windows where the cross motif is not found, the symbolic circle is still present.
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